Print Media
Audiovisual

time (want)
Tandem Linkage


3-channel video installation, 00:02:30.
2026

Three audiovisual tracks looping on CRT televisions; sculpted cabling & weathered garden plinths.

Tandem Linkage refers to the mating position of some dragonfly species. This work is a single videopoem split across three channels with intermittent (dis)synchronization, and a narrated poem. It explores desire and the (im)possibilities of intimacy.










Pictured here in the exhibit time (want) at Moonstreet Projects in Antwerp, Belgium. time (want) was curated by Megan Briggs and featured new media works by Falk Thys and Yonas Seyoum. Photo by Martijn De Meuleneire.






Raspberry Garden Of My Boyhood





Soundpoem, 00:04:30.
Villa Canapé garden sound expo in Brussels, Belgium
2026


                   

L moves quickly down the rows, tugging berries off their stems. M kneels in the soil with a bowl, working methodically on one section at a time. 5 in the bowl and 2 in the mouth. The raspberries stain their palms purpley-red. 5 in the bowl and 2 in the mouth. Summer days in this part of the country are long and languid; the sun lingers ’til ten in the evening. 5 in the bowl and 2 in the mouth.


                    The weeks were held together by twine. The months bent under their footsteps like tall grass. 







Country Gleams
Video installation
Het Bos in Antwerp, Belgium
2025

Country Gleams is a collection of videopoems exploring themes of home, belonging, and identity within suspended placelessness. In weaving together poetry, film, and candid field recordings from Michigan to Antwerp, the installation experiments with a unique audiovisual poetics. Seen above in the Vruchtbare Grond arts festival at Het Bos.

 

The House. 8 minutes.
Featuring a singing performance by Chloe and Olivia Kimes.


Naar Thuis Fietsen.  8 minutes. 
Animated with Google Earth, featuring music from Småland’s Karen 1, Karen 2, and Karen 3.


Energy Angel. 30 minutes.
Looping & distortion, footage between Antwerp, Bruges & Luxembourg.


Contact Megan to view films.







Entranced
Videopoem, 10 minutes. 
Megan Briggs, Saenah Boch & Alan Lin. 
2023

An queer narrative in reaction to Terra em Transe (1967).  Featured in the Yale showcase ‘Film, I Devour: Re-Visions of the Afro-Luso Brazilian Film Scene’.

[View film..]








Red CenterVideopoem, 3 minutes.
2022

Directed and filmed with support from Elayna Pushee. Featuring my original poem "Red Center," inspired by Mark Rothko's painting White Center (1957) and Anne Carson's verse novel Autobiography of Red (1998).

[View film..]








Marvelous Domain
Videopoem, 11 minutes.
2022

An exercise in surrealism inspired by the poem “Domain of the Marvelous” by Martinician poet and scholar Suzanne Césaire. With filming support from Alan Lin and Tulsi Patel.

‘The domain of the Strange, the Marvelous and the Fantastic, a domain scorned by people of certain inclinations. Here is the freed image, dazzling and beautiful, with a beauty that could not be more unexpected and overwhelming. Here are the poet, the painter, and the artist, presiding over the metamorphoses and the inversions of the world under the sign of hallucinations and madness.” 
                                            —Suzanne Césaire, Tropiques, 1941


[View film..]























Profile
Megan Briggs
meganfbriggs@gmail.com


USA/WhatsApp: +1 203 823 0538
Megan Briggs is a curator, writer, and video artist based in Brooklyn, New York. Their professional experience includes work in contemporary art venues across Belgium such as KIOSK Ghent, OUT OF SIGHT, Moonstreet Projects, and Het Bos. 

Their artistic practice spans video art installation, sound art, film photography, and solo chapbooks of poetry and visual art. 

Megan was the recipient of two Fulbright grants as an English Teaching Assistant in literature at the University of Antwerp, where they led a poetry workshop and founded the student-run multilingual literary mag Backpage Magazine


View their portfolio
View their CV.


 







Publications














Poetry










Film Production


















Dreaming Awake: A Visit to the Studio of Tom Poelmans

Residing in Intervals: Review of Toon Leën’s Marathon Lecture Performance Image Entanglements - Beeldverwikkelingen

Interview / Review: Leen Van Tichelen
Capacious Possibilities in GROUND ZERO /51.04536/3.71609


Poem / Review: “One Day Fly: After GROUND ZERO /51.04536/3.71609 





Poem: “anza room, separate beds” and “hell is a town in michigan” in Nmemotope Issue 009 from Bog Bodies Press, 2026.

Poem: “Aisle Seat” in Yale Literary Magazine, 2022.


Poem: “County Fair” in Yale Daily News Magazine, 2021.

Poem: “My Front Yard, According to Texts from My Father,” in Yale Daily News Magazine, 2020.



Video trailer for Leen Van Tichelen’s GROUND ZERO /51.04536/3.71609, 2025.

Music video for Momoyo’s “Spanish Song from the 90s”, 2025.

Editor for HOUDEN VAN - film 12:09 - text by Leen Van Tichelen. photos by Stefaan Van Dorpe, spoken word by Renee & Victor Van Dorpe, 2025.

Executive Producer for Au Pair-is directed by Emily Rodriguez, awarded Episodic Runner-up at the Bushwick Film Festival, 2025.

Associate Producer on WYBC Ante-Fling Concert Film featuring Mia Gladstone, 2021.



EducationKatholieke Universiteit Leuven
Master in Cultural Studies
September 2026


Yale University
B.A. in Ethnicity, Race & Migration 
Global Health Studies
2023







AwardsYale College Poet
2023

Yale Ezra Stiles Film Festival — Best Documentary
2022














Picture by Lies Ooms.


Last Updated 09.14.2026


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